PA Equipment

The USB DI Plus VC is ARX's 'Second Generation' USB DI , and the first with Dual Mode audio interface - Digital and Analog. In fact, it's "Two DI's in One! " In Digital USB Mode The USB DI Plus VC has an inbuilt 24 bit High Resolution digital to analog converter (DAC) which removes the need to use a Computer's existing internal sound card outputs, with their inherent noise and distortion. The USB DI Plus VC installs as a fully compatible generic "Plug and Play" USB audio device, requiring no special driver program installation. The USB DI Plus VC 's DAC delivers Professional Line Level audio signals to Left and Right balanced XLR outputs. When switched to USB mode the USB DI Plus VC is powered via the USB cable, so no batteries or phantom power required to use it. In Analog Mode: Many Tablet Devices, Phones and iPads have no direct USB Digital Audio output, and interfacing their Audio with the professional world of balanced audio can be problematic. Switching the USB DI Plus VC to Analog mode effortlessly solves this problem by buffering the audio signal from the Headphone or Line output and producing a Professional Balanced Line Level audio signal on Left and Right balanced XLR outputs. To ensure reliability, Analog mode is passive with no batteries or phantom power required for use. Low Noise Both the USB DI Plus VC Digital and Analog operating modes feature full transformer balanced output isolation. This eliminates earth loops / ground hum and helps remove extraneous interaction noise and distortion ensuringt noise free operation even in the harshest audio environments. Two Models The USB DI Plus is available in two models: USB DI Plus - Standard version, with no external gain / volume control, making it as Tamper Proof as possible. Straightforward Plug-and-Play makes it ideal for Production Companies. USB DI Plus VC - Still Plug-and-Play but with an external gain / volume control allowing users to vary the sound levels at a distance from the mixing console. Plug and Play The USB DI installs as a fully compatible generic USB audio device, requiring no special driver program installation on Mac OSX and Win XP or later The front panel has a Type B USB input connector, plus a Mini-Jack stereo Analog input, as well as two 6.5mm Left and Right analog jack inputs. A front panel switch will switch between the USB or Analog Inputs The rear has two transformer balanced analog audio XLR Line out connectors for connecting to any standard balanced analog input, with a Mono Outputs switch and an audio Ground lift switch A USB status LED on the front panel indicates that the USB DI Plus is connected and operating in USB mode. The USB DI Plus VC is housed in a heavy duty all-steel chassis finished in attractive matt textured polyurethane, with hardwearing epoxy screen printing and slip resistant rubber base pad. It is ideal for interfacing any USB equipped computer (especially notebook computers) with the balanced inputs of professional sound systems. Security features include an optional bracket kit for under-table mounting. The USB DI Plus VC includes a premium quality USB-A to USB-B cable, and is hand made in Australia. Specifications: Input Connector: Digital - USB type B port Input Connectors: Analog - Stereo Mini-Jack input, standard Left and Right 6.5mm Jacks Codec: 24 bit High Resolution, 44.1 and 48 KHz Output Impedance: 300 Ohms Transformer Balanced Output Level: Maximum nominal output level 0dB, user variable via front panel volume control Output Noise: USB - System dependent ISO transformer - Environment sensitive Frequency Response: 20 - 20 KHz ± 0.5 dB Power: Operating current via USB Port 80mA in USB mode Output Connectors: 2 x Male XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 - switchable via Ground Lift switch on rear Construction: All-steel chassis, fibreglass PCB, epoxy printing, slip-resistant rubber base pad System Requirements for USB operation: Computer running Windows XP, 7/8/10 or Mac running OS X or later USB port Precision engineered: With a couple of exceptions, all products in the Audibox range share a common footprint and manufacturing platform. Offset lid screws enable close side-by-side mounting of multiple units.

The ARX USB DI-Q The ARX USB DI-Q is an USB to Analog audio playback interface for the playback and monitoring of audio files from Windows or Mac computers for applications including education lecture theatres, corporate presentations and courtroom environments. Monitor and Cue: The USB DI-Q allows the user to monitor and cue audio files in a closed headphone environment and switches / enables the audio output to a Public Address/sound system as required. Plug and Play: The USB DI-Q installs as a fully compatible 'Plug and Play' generic USB audio device so does not require any special driver installation on Mac OSX, Win7/8/10. Compatible: The USB DI-Q is ideal for interfacing any USB equipped computer with the balanced inputs of a professional sound system. Retrofit: The simplicity of the setup of the USB DI-Q means that this product can be integrated easily into the existing AV infrastructure of a building. Simple: Once in place, the USB DI-Q only requires touch button operation so that it can be used by non technical operators. The USB DI-Q is housed in a heavy duty all-steel chassis finished in attractive matt textured powdercoat, with hardwearing epoxy screen printing and non-slip rubber base pad. It is ideal for interfacing any USB equipped computer (especially notebook/laptop computers) with the balanced inputs of professional sound systems. Security features include an optional bracket kit for under-table mounting. The USB DI-Q includes a premium quality USB-A to USB-B cable , and is hand made in Australia Specifications: Input Connector: USB type B port Codec: 24 bit High Resolution, 44.1 and 48 KHz Output Impedance: 300 Ohms Transformer Balanced Output Level: 0dB max USB System dependent ISO transformer Environment sensitive Frequency Response: 20 - 20 KHz ± 0.5 dB Power: Operating current via USB Port 80mA Headphone output specs Max. output level 300mW @ 32 Ohms Dynamic range 90dB ‘A’ Weighted Balanced Output Frequency Response 20 - 20 KHz ±0.5 dB Output Connectors: 1 x Male XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 Chassis Ground Construction: All-steel powdercoated chassis, fibreglass PCB, epoxy printing, slip-resistant rubber feet System Requirements: Windows PC running Windows XP , Windows 7/8/10, Mac running OS X or later USB port

In response to many requests from users of our original USB DI who have been using it for specific applications, ARX is excited to present the new ARX USB DI- VC - everything that the original USB DI was, with the addition of an output level control. It is still a true Plug and Play digital to analog pro audio interface, removing the need to use any existing sound card outputs, but now the output level can be modified quickly and accurately.. Naturally it still features full transformer balanced output isolation to eliminate earth loops / ground hum and other extraneous interaction noise and distortion. The addition of the volume control allows the USB DI- VC to be used without a mixer. This is a very useful option when driving active loudspeakers from a laptop - the level control lets you reduce the level instantly to suit the required SPL, which still retaining an excellent signal-to-noise ratio. Plug and Play The USB DI- VC installs as a fully compatible generic USB audio device, requiring no special driver program installation on Mac OSX, Windows XP, 7/8/10 The rear panel has a Type B USB input connector while the front panel has an Output Level control and two transformer balanced analog audio XLR Line out connectors for connecting to any standard balanced analog input. A status LED on the rear panel next to the USB Input indicates that the USB DI- VC is connected and operating. The USB DI- VC is housed in a heavy duty all-steel chassis finished in attractive matt textured powdercoat, with hardwearing epoxy screen printing and slip resistant rubber pads. It is ideal for interfacing any USB equipped computer (especially notebook computers) with the balanced inputs of professional sound systems. Security features include Kensington®-type computer lock slot and optional bracket kit for under-table mounting. The USB DI- VC is available in Dual Channel format, includes a premium quality USB-A to USB-B cable , and is hand made in Australia. Specifications: Input Connector: USB type B port Codec: 24 bit High Resolution, 44.1 and 48 KHz Output Impedance: 300 Ohms Transformer Balanced Output Level: User variable from 0dB down to infinity (off) Output Noise: USB - System dependent ISO transformer - Environment sensitive Frequency Response: 20 - 20 KHz ± 0.5 dB Power: Operating current via USB Port 80mA Output Connectors: 2 x Male XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 Chassis Ground Construction: All-steel powdercoated chassis, fibreglass PCB, epoxy printing, slip-resistant rubber feet System Requirements: Windows PC running Windows XP, 7/8/10 , Mac running OS X or later USB port

In keeping with our aim of creating essential audio interfaces, ARX is excited to present the new ARX USB I/O - a true 24 bit High Resolution Plug and Play USB digital/analog pro audio interface. It removes the need to use any existing sound card outputs, with their inherent noisy environment and problematic grounding. Based on the same expanded Audibox Plus platform as the DI Plus and Plus 2 Rechargeable Direct boxes, the ARX USB I/O features full transformer balanced Inputs and Outputs, providing the isolation required to eliminate earth loops / ground hum and other extraneous interaction noise and distortion. Plug and Play The USB I/O installs as a fully compatible generic USB audio device, requiring no special driver program installation on Windows XP, 7/8/10 or Mac OSX The front panel has Left and Right transformer balanced analog XLR Input and output connectors that connect to any standard balanced analog inputs and outputs. On the rear panel there is a Type B USB connector, as well as a ground lift switch. A status LED on the rear panel indicates that the USB I/O is connected and operating. The USB I/O is housed in a heavy duty all-steel chassis finished in attractive matt textured powdercoat, with hardwearing epoxy screen printing and slip resistant rubber pads. It is ideal for interfacing any USB equipped computer (especially notebook/laptop computers) with the balanced inputs and outputs of professional sound systems. Security features include Kensington®-type computer lock slot and optional bracket kit for under-table mounting. The ARX USB I/O is available in Dual Channel format, includes a premium quality USB-A to USB-B cable , and is hand made in Australia. Specifications: Connector: USB type B port Codec: 24 bit, High Resolution Input Impedance: 10 KOhms Transformer Balanced Output Impedance: 300 Ohms Transformer Balanced Maximum Input Level: Nominal 0 dB Maximum Output Level: Nominal 0 dB Input/Output Noise: USB - System dependent ISO transformer - Environment sensitive Frequency Response: 20 - 20 KHz ± 0.5 dB Power: Operating current via USB Port 80mA Input Connectors: 2 x Female XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 via ground Lift switch Output Connectors: 2 x Male XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 via ground Lift switch Construction: All-steel polyurethane coated chassis, fibreglass PCB, epoxy printing, slip-resistant rubber base. Package includes a premium quality USB-A to USB-B cable System Requirements: Windows PC running Windows XP, 7/8/10 , Mac running OS X or later USB port Audio software installed 98SE will need the Win 98SE CD Rom to install driver. However, in reality if you're serious about music you'll already be using a later operating system

USB Ultra I/O Dual Channel USB Audio Interface. ARX is excited to present the ARX USB Ultra I/O - a true 24 bit High Resolution Plug and Play USB 2 channel play and record digital/analog pro audio interface. It removes the need to use any existing sound card outputs, with their inherent noisy environment and problematic grounding. The ARX USB Ultra I/O - a true 24 bit High Resolution Plug and Play USB 2 digital/analog pro audio interface with five selectable sample rates: 44.1 KHz, 48 KHz, 88.2KHz, 96KHz or 192 KHz . Full transformer balanced Inputs and Outputs provide the isolation required to eliminate earth loops / ground hum and other extraneous noise and distortion Plug and Play The USB ULTRA I/O installs as a fully compatible generic USB audio device, requiring no special driver program installation on Windows 10 or Mac OSX On the Front panel there is a standard Type B USB connector, as well as a ground lift switch and Status LEDs indicating the sample rate selected or available. The Rear panel has Left and Right transformer balanced analog Amphenol XLR Input and output connectors that connect to any standard balanced analog inputs and outputs. The USB ULTRA I/O is housed in a heavy duty all-steel chassis finished in attractive matt textured powdercoat, with hardwearing epoxy screen printing and slip resistant rubber base pad. It is ideal for interfacing USB equipped computers (especially notebook/laptop computers) with the balanced inputs and outputs of professional sound systems. Optional features include an optional bracket kit for under-table mounting. The ARX USB ULTRA I/O ships with a premium quality USB-A to USB-B cable, and is hand made in Australia. USB ULTRA I/O Technical Specifications: Connector: USB type B port Codec: Hi Resolution 24 bit 192 KHz Sample Rate: Software selectable : 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz and 192 KHz Input Impedance: 10 KOhms Transformer Balanced Output Impedance: 300 Ohms Transformer Balanced Maximum Input Level: Nominal 0 dB Maximum Output Level: Nominal 0 dB Input/Output Noise: USB - System dependent ISO transformer - Enviroment sensitive Frequency Response: 20 - 20 KHz ± 0.5 dB Power Consumption: via USB Port - typically 0.8W Input Connectors: Channel 1 / Left and Channel 2 / Right 2 x Female Amphenol XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 screen/shield via ground Lift switch Output Connectors: Channel 1 / Left and Channel 2 / Right 2 x Male Amphenol XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 screen/shield via ground Lift switch Construction: All-steel polyurethane coated chassis, fibreglass PCB, epoxy printing, USB Ultra I/O chassis grounded via USB connection slip-resistant rubber base. Package includes a premium quality USB-A to USB-B cable Recommended ASIO Driver (if required or desired): ASIO4all download at: www.asio4all.org System Requirements Windows 10 Mac running OS X or later Audio software installed

USB ULTRA VSR Broadcast In keeping with our aim of creating essential audio interfaces, ARX is excited to present the ARX USB Ultra VSR Broadcast - a true 24 bit High Resolution Plug and Play USB 2 channel play and record digital/analog pro audio interface. It removes the need to use any existing sound card outputs, with their inherent noisy environment and problematic grounding. Analog style headroom - Exclusive to the Ultra VSR Broadcast The ARX USB ULTRA VSR Broadcast model features Analog style headroom when recording in the digital domain. With five selectable sample rates: 44.1 KHz, 48 KHz, 88.2KHz, 96KHz or 192 KHz , 24 bit High Resolution and USB 2 Plug and Play performance. Full transformer balanced Inputs and Outputs provide the isolation required to eliminate earth loops / ground hum and other extraneous noise and distortion Plug and Play The USB ULTRA VSR Broadcast installs as a fully compatible generic USB audio device, requiring no special driver program installation on Windows 10 or Mac OSX On the Front panel there is a standard Type B USB connector, as well as a ground lift switch and Status LEDs indicating the sample rate selected or available. The Rear panel has Left and Right transformer balanced analog Amphenol XLR Input and output connectors that connect to any standard balanced analog inputs and outputs. The USB ULTRA VSR Broadcast is housed in a heavy duty all-steel chassis finished in attractive matt textured powdercoat, with hardwearing epoxy screen printing and slip resistant rubber base pad. It is ideal for interfacing USB equipped computers (especially notebook/laptop computers) with the balanced inputs and outputs of professional sound systems. Optional features include an optional bracket kit for under-table mounting. The USB ULTRA VSR Broadcast ships with a premium quality USB-A to USB-B cable, and is hand made in Australia. USB ULTRA VSR Broadcast Technical Specifications Connector : USB type B port Codec : Hi Resolution 24 bit 192 KHz Sample Rate : Software selectable : 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz and 192 KHz Input Impedance : 10 KOhms Transformer Balanced Output Impedance : 300 Ohms Transformer Balanced Maximum Input Level : Nominal 0 dB Maximum Output Level : Nominal 0 dB Input/Output Noise : USB - System dependent ISO transformer - Enviroment sensitive Frequency Response : 20 - 20 KHz ± 0.5 dB Power Consumption : via USB Port - typically 0.8W Input Connectors Channel 1 / Left and Channel 2 / Right 2 x Female Amphenol XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 screen/shield via ground Lift switch Output Connectors Channel 1 / Left and Channel 2 / Right 2 x Male Amphenol XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 screen/shield via ground Lift switch Construction : All-steel powder coated chassis, fibreglass PCB, epoxy printing, USB Ultra I/O chassis grounded via USB connection Slip-resistant rubber base pad. Package includes a premium quality USB-A to USB-B cable System Requirements Windows 10 Mac running OS X or later Audio software installed

SmartPhones, Tablets, Laptops and other Wireless audio and USB enabled devices have rapidly become the program source of convenience for Corporate A.V Presentations, Seminars, Musicians, D.Js, Entertainment Venues, System Demonstrations and Testing, and many other audio playback applications. To cope with all these audio sources. ARX introduces the MIXXMaker - a new multi-channel Mic/Line Master Mixer. This unique device features Wireless audio, USB and MiniJack inputs, 2 Mic/Line inputs, 2 stereo line inputs, and Left/Right (or Zone 1 and 2) Master level controls, as well as an Auxiliary mono output with its own level control. That's a lot of Inputs and a lot of control in a compact, user-friendly unit only 1 RU tall! Great Features The Wireless audio receiver, USB connector and the MiniJack inputs all have their own individual level controls. Each Microphone channel on the MIXXMaker has a Balanced Low Noise Mic input, plus individual Gain and Level controls. The Mic input can also be switched to be a Line input as required. Switchable Phantom power is also available on both Mic Inputs. The Stereo Line Inputs 3/4 and 5/6 each have rear panel input trim controls, as well as front panel output level controls, and their inputs are industry standard RCA type connectors. Additionally there are Left and Right Master controls, and a mono L+R Aux Output with its own level control. The Left and Right Master Output XLR connectors can also be switched to Mono if required, by a rear panel switch. The rear panel also has a connector for a push-to-talk jack, and a Priority override ducker switch for Channel 1. Pressing this switch in will duck the level of the other channels by 20dB when Channel 1 is used. LED Indicators The front panel has LED indicators for Wireless audio (see Specifications below), USB active, Priority Override enabled, Phantom Power enabled, Outputs switched to Mono, and AC power. AC Power It is available as a 100 to 120V AC model or a 220 to 240V AC model, and AC power is connected to the unit via a standard three pin IEC connector, with built-in fuse and voltage change switch. The ARX MIXXMaker is an intuitive, user-friendly Master mixer, capable of handling all commonly used current audio interfaces. In other words, a total solution to today’s install requirements. Features Has Wireless audio, USB and MiniJack inputs! Plus 2 x Balanced XLR Mic / Line Inputs Plus 2 x stereo Line In channels Global 3 way EQ control Switchable Phantom power Switchable push-to-talk with a Priority override ducker for Mic channel 1 User-friendly layout in 1 RU package Flawless performance in any audio environment Applications Clubs /Gyms /Karaoke /Restaurants Industrial Paging/BGM Systems AV Systems Broadcast Submixers Sound Reinforcement ...and much, much more Specifications: Microphone Inputs: Electronically Balanced on XLR Connectors Stereo Line Inputs: Line level inputs on RCA Connectors Mic Priority: Switchable Channel 1 override; 20dB attenuation to all other channels Input Gain: Variable 0dB to 60dB on Mic/Line channels by rear panel trim control, plus Mic/Line input switch (–20dB) Channel Level: Infinity to +6dB Gain Mic and Line Channel EQ: Low 100Hz 15dB Cut/Boost Shelving Mid 800HZ 15dB Cut/Boost Bell, Broad Q High 10KHz 15dB Cut/Boost Shelving Frequency Response: 20-20KHz +or- 1dB Distortion: Below .005% 100Hz to 10KHz Phantom Power: +48VDC switchable on all Microphone Inputs Master Outputs: Electronically Balanced XLR 300 ohms Line Level Master Outputs Signal/Noise: -90dB unweighted. Max Output Level: +20dB Input Connector: USB type B port Codec: 24 bit High Resolution USB Power: Operating current via USB Port 80mA MIXXMaker AC Power: Supplied as 100-120 VAC model or 220-240 VAC model 50/60HZ 8VA (8 watts) 3 pin IEC connector with removable cable Wireless audio Receiver Specifications: Range: Approx 2 - 4 metres Depends on paired source device LED Indicators: Scan Red LED Red LED Flashes Lock Blue LED Matching/Pairing: Blue LED Flashes Matched/Paired: Blue LED On Frequency 2.402 - 2.480 GHz Sensitivity -90dBM @0.1% BER

The Optogate PB-09 is our new automatic microphone gate unit, implemented in a table stand. The PB-09 contains a mic on button what can be used as "push to talk" or "mic latch" switch. These different functions are user programmable with 3 dip switches. The PB-09 contains also a galvanically separated trigger input for the mic control. The switching noise is not measureable. A red status LED indicates if the microphone is switched on. The PB-09 works with 48V phantom power and can be used in connection with dynamic mics and condenser mics. The phantom power passes the microphone. The 1,2 kg heavy body of the PB-09 is iron made and equipped with 3 anti noise rubber feet on the bottom in order for a safety silent fixed position. The PB-09 is the best all in one solution for conference applications. Physical dimensions: 125mm length x 31mm height x 90mm width Connectors: XLR 3-pin (1 = gnd, 2 = plus, 3 = minus) Case construction: Iron, black powdercoatedl Distance: Adjustable between 15 - 120 cm (depending of the type of reflection surface) Angle: + / - 10 degrees Trigger Input Voltage: 2.6-30V Switching noise: Immeasurable Frequency response: 0 Hz - 30kHz, - 3 dB in connection with 150 Ohm microphone impedance Signal noise ratio: -114 dB / -120 dB, Mic on / off with 150 Ohm Mic. Distortion: < 0,05 % with 100mV signal Delaytime Mic on: < 0 ,2 Seconds Delaytime Mic off: About 1 second (Other times on request) Attenuation "mic on": -1 dB Attenuation "mic off": 42 dB in connection with 150 Ohm microphone impedance Usuable mic. types: All type of dynamic - and phantom powered mics. up to 10 mA current consumption Maximum input level: 3 dB (1.1V) Operating temperature: 0 - 55 degrees Celsius Background light range: 0 - 20000 Lux daylight and 0 - 12000 Lux electric bulblight Distance measurement: Active infrared reflection principle with 3 bit code Power: 24-48 V Phantompower (passes phantompower to the microphone) Current consumption: Ca. 3.7 mA

PB-05D (DEVELOPED FOR IN-EAR MONITORS) Reduces the signal to -16 db. You will hear some overall ambience, which is sometimes preferred by artists using In-Ear monitor systems. Includes the by-pass button. BENEFITS TURNS OFF YOUR MIC AUTOMATICALLY VIA INFRARED SIGNAL WHEN YOU ARE NOT USING IT! NO FALSE AUDIO TRIGGERS! SET THE DISTANCE AND PLAY! ELIMINATES UNWANTED SOUND FROM GOING TO YOUR MIX, MONITORS, AND P.A.! EXCELLENT FOR IN-EAR MONITORS AND LOUD STAGE ENVIRONMENTS! YOUR SOUND WILL BE BETTER THAN EVER BEFORE! YOUR AMPS WILL SOUND BETTER! YOUR EARS AND YOUR AUDIENCES WILL THANK YOU! ONE YEAR WARRANTY! YOU WILL NOT BE ABLE TO LIVE WITHOUT THESE GEMS ONCE YOU USE THEM! THE PB-05 IS AN AUTOMATIC MICROPHONE GATE AND IS BASED ON THE LATEST IR OPTICAL TECHNOLOGY. The PB-05 is inserted between a microphone and the xlr mic cable. It's equipped with an infrared sensor. The PB-05 senses if someone is in front of the microphone and will switch on the microphone. The microphone will be switched off automatically if no one is in front of it. The distance can be adjusted between 2 inches and 4 feet with the help of the trim pot and a small screwdriver. The singer will see a red status LED indicating that the microphone is switched on. The PB-05 is powered by 48 Volt phantom power from the mixing console. Condenser or Dynamic microphones can be used with the PB-05M and PB-05D. On these two units a small push button on the top allows the user to toggle between "Mic always On" and "Optogate Enable". The PB-05 is ideal for lead and back-up Vocals, Acoustical instruments and Talk-Back mics. Optogate products are by far the best and easiest solution for the most common problems in live audio applications. It eliminates unwanted background noise of other instruments, like drums and guitar amps into unused open microphones on stage. The clarity of the mix and the dynamics are increased due to less phase cancellation between other open mics and stage background noise. It also reduces the possibility of Feedback from unused open mics! Specifications: Dimensions: 69mm Length x 35mm Height x 21mm width Connectors: XLR 3-pin (1 = gnd, 2 = plus, 3 = minus) Case construction: Aircraft-aluminum, black galvanized Distance Adjustable between 15 - 120 cm (depending of the type of reflection surface) Switching noise: Immeasurable Frequency responses 0 Hz - 30kHz, - 3 dB at 150 Ohm Microphone impedance Signal noise ratio: -114 dB / -122 dB, Mic on / off, 150 Ohm Mic. Distortion < 0,05 % with 100mV signal Delay time mic on: < 0,2 Sec Delay time mic off: ca. 1 Sec Attenuation "mic on": 0 dB Attenuation "mic off": 16 dB or 42 dB in connection with 150 Ohm mics, depending of the model Usable mic types: All types of dynamic - Phantom powered mics up to 10 mA current consumption (M and D models) Maximum input level: 3 dB (1,1V) Operating temperature: 0 - 55 degrees Celsius Background light range: 0 - 20000 Lux daylight and 0 - 12000 Lux electric light bulb Distance measurement: Active infrared reflection principle with 3 bit code Power: 24-48 V Phantom power (passes phantom power to the microphone) Current consumption: ca. 3.7 mA

PB-05E (USES ONLY DYNAMIC MICS) The “economy” version has the same performance of the "Pro" models with a couple of changes to make it economy. Less circuitry less cost. It is made of the same material, looks the same but it works only with dynamic mics, SM-58’s and the like. Instead of a bypass switch built in, it uses the mixing board’s phantom power to by-pass the unit. The distance trim pot only turns 270 degrees, please do not over rotate. BENEFITS TURNS OFF YOUR MIC AUTOMATICALLY VIA INFRARED SIGNAL WHEN YOU ARE NOT USING IT! NO FALSE AUDIO TRIGGERS! SET THE DISTANCE AND PLAY! ELIMINATES UNWANTED SOUND FROM GOING TO YOUR MIX, MONITORS, AND P.A.! EXCELLENT FOR IN-EAR MONITORS AND LOUD STAGE ENVIRONMENTS! YOUR SOUND WILL BE BETTER THAN EVER BEFORE! YOUR AMPS WILL SOUND BETTER! YOUR EARS AND YOUR AUDIENCES WILL THANK YOU! ONE YEAR WARRANTY! YOU WILL NOT BE ABLE TO LIVE WITHOUT THESE GEMS ONCE YOU USE THEM! The PB-05 is inserted between a microphone and the xlr mic cable. It's equipped with an infrared sensor. The PB-05 senses if someone is in front of the microphone and will switch on the microphone. The microphone will be switched off automatically if no one is in front of it. The distance can be adjusted between 2 inches and 4 feet with the help of the trim pot and a small screwdriver. The singer will see a red status LED indicating that the microphone is switched on. The PB-05 is powered by 48 Volt phantom power from the mixing console. Condenser or Dynamic microphones can be used with the PB-05M and PB-05D. On these two units a small push button on the top allows the user to toggle between "Mic always On" and "Optogate Enable". The PB-05 is ideal for lead and back-up Vocals, Acoustical instruments and Talk-Back mics. Optogate products are by far the best and easiest solution for the most common problems in live audio applications. It eliminates unwanted background noise of other instruments, like drums and guitar amps into unused open microphones on stage. The clarity of the mix and the dynamics are increased due to less phase cancellation between other open mics and stage background noise. It also reduces the possibility of Feedback from unused open mics! Specifications: Dimensions: 69mm Length x 35mm Height x 21mm width Connectors: XLR 3-pin (1 = gnd, 2 = plus, 3 = minus) Case construction: Aircraft-aluminum, black galvanized Distance Adjustable between 15 - 120 cm (depending of the type of reflection surface) Switching noise: Immeasurable Frequency responses 0 Hz - 30kHz, - 3 dB at 150 Ohm Microphone impedance Signal noise ratio: -114 dB / -122 dB, Mic on / off, 150 Ohm Mic. Distortion < 0,05 % with 100mV signal Delay time mic on: < 0,2 Sec Delay time mic off: ca. 1 Sec Attenuation "mic on": 0 dB Attenuation "mic off": 16 dB or 42 dB in connection with 150 Ohm mics, depending of the model Usable mic types: All types of dynamic - Phantom powered mics up to 10 mA current consumption (M and D models) Maximum input level: 3 dB (1,1V) Operating temperature: 0 - 55 degrees Celsius Background light range: 0 - 20000 Lux daylight and 0 - 12000 Lux electric light bulb Distance measurement: Active infrared reflection principle with 3 bit code Power: 24-48 V Phantom power (passes phantom power to the microphone) Current consumption: ca. 3.7 mA

PB-05M (STANDARD PRO UNIT) Has an attenuation of -42 dB in the "Mic Off" position. Includes a by-pass button. (Original unit) BENEFITS TURNS OFF YOUR MIC AUTOMATICALLY VIA INFRARED SIGNAL WHEN YOU ARE NOT USING IT! NO FALSE AUDIO TRIGGERS! SET THE DISTANCE AND PLAY! ELIMINATES UNWANTED SOUND FROM GOING TO YOUR MIX, MONITORS, AND P.A.! EXCELLENT FOR IN-EAR MONITORS AND LOUD STAGE ENVIRONMENTS! YOUR SOUND WILL BE BETTER THAN EVER BEFORE! YOUR AMPS WILL SOUND BETTER! YOUR EARS AND YOUR AUDIENCES WILL THANK YOU! ONE YEAR WARRANTY! YOU WILL NOT BE ABLE TO LIVE WITHOUT THESE GEMS ONCE YOU USE THEM! THE PB-05 IS AN AUTOMATIC MICROPHONE GATE AND IS BASED ON THE LATEST IR OPTICAL TECHNOLOGY. The PB-05 is inserted between a microphone and the xlr mic cable. It's equipped with an infrared sensor. The PB-05 senses if someone is in front of the microphone and will switch on the microphone. The microphone will be switched off automatically if no one is in front of it. The distance can be adjusted between 2 inches and 4 feet with the help of the trim pot and a small screwdriver. The singer will see a red status LED indicating that the microphone is switched on. The PB-05 is powered by 48 Volt phantom power from the mixing console. Condenser or Dynamic microphones can be used with the PB-05M and PB-05D. On these two units a small push button on the top allows the user to toggle between "Mic always On" and "Optogate Enable". The PB-05 is ideal for lead and back-up Vocals, Acoustical instruments and Talk-Back mics. Optogate products are by far the best and easiest solution for the most common problems in live audio applications. It eliminates unwanted background noise of other instruments, like drums and guitar amps into unused open microphones on stage. The clarity of the mix and the dynamics are increased due to less phase cancellation between other open mics and stage background noise. It also reduces the possibility of Feedback from unused open mics! Specifications: Dimensions: 69mm Length x 35mm Height x 21mm width Connectors: XLR 3-pin (1 = gnd, 2 = plus, 3 = minus) Case construction: Aircraft-aluminum, black galvanized Distance Adjustable between 15 - 120 cm (depending of the type of reflection surface) Switching noise: Immeasurable Frequency responses 0 Hz - 30kHz, - 3 dB at 150 Ohm Microphone impedance Signal noise ratio: -114 dB / -122 dB, Mic on / off, 150 Ohm Mic. Distortion < 0,05 % with 100mV signal Delay time mic on: < 0,2 Sec Delay time mic off: ca. 1 Sec Attenuation "mic on": 0 dB Attenuation "mic off": 16 dB or 42 dB in connection with 150 Ohm mics, depending of the model Usable mic types: All types of dynamic - Phantom powered mics up to 10 mA current consumption (M and D models) Maximum input level: 3 dB (1,1V) Operating temperature: 0 - 55 degrees Celsius Background light range: 0 - 20000 Lux daylight and 0 - 12000 Lux electric light bulb Distance measurement: Active infrared reflection principle with 3 bit code Power: 24-48 V Phantom power (passes phantom power to the microphone) Current consumption: ca. 3.7 mA

THE OPTOGATE PB-06 IS OUR MICROPHONE GATE FOR FIXED INSTALLATIONS, I.E. TABLES, LECTERNS AND PODIUMS. THIS UNIT IS IDEAL FOR CHURCHES AND HOUSES OF WORSHIP. The New Optogate PB-06 is a Brand New upgraded version of the old well known model for conferences, recording studios, talk-backs, houses of worship podiums / lecterns and any table top applications. The combination of the optical gate along with a push button, xlr cables and 4 different modes allow this to be the most versatile PB-06 ever! The PB-06 is equipped with an infrared sensor and senses if someone is in front of the microphone in order to switch on the microphone. The microphone will be switched off automatically if no one is in front of it. The distance of activation can be adjusted between 2 inches and 3 feet with the help of the trim pot located on the top of the unit. It is powered by 48v phantom from your console. Optogates are by far the best and easiest solution for the most common problems in live audio applications. It eliminates unwanted background noise of other instruments into unused, open microphones on stage. So, the clarity of the sound and the dynamics are increased due to less phase cancellation between other open mics and stage background noise. It also reduces the possibility of Feedback from unused open mics! BENEFITS TURNS OFF YOUR MIC AUTOMATICALLY VIA INFRARED SIGNAL WHEN YOU ARE NOT USING IT! NO FALSE AUDIO TRIGGERS! SET THE DISTANCE AND PLAY! ELIMINATES UNWANTED SOUND FROM GOING TO YOUR MIX, MONITORS, AND P.A.! EXCELLENT FOR IN-EAR MONITORS AND LOUD STAGE ENVIRONMENTS! YOUR SOUND WILL BE BETTER THAN EVER BEFORE! YOUR AMPS WILL SOUND BETTER! YOUR EARS AND YOUR AUDIENCES WILL THANK YOU! ONE YEAR WARRANTY! YOU WILL NOT BE ABLE TO LIVE WITHOUT THESE GEMS ONCE YOU USE THEM! Specifications: Dimensions: 40 mm long x 25 mm high x 12 mm wide Connectors: 2 x 50 cm cable with xlr connectors Case Construction: 1,2 mm steel, powder coated Distance Adjustable between 15 - 120 cm (depending on the type of reflection surface) Angle + / - 10 ° Switching noise: Immeasurable Frequency responses 0 Hz - 30kHz, - 3 dB at 150 Ohm mic impedance Signal noise ratio: -114 dB / -122 dB, Mic on / off, 150 Ohm Mic. Distortion < 0,05 % at 100mV Delay time mic on: < 0,2 Sec Delay time mic off: ca. 1 Sec Attenuation "mic on": 0 dB Attenuation "mic off": 42 dB at 150 Ohm mic impedance Usable mic types: All types of dynamic - and phantom powered mics. Up to 10 mA current consumption Maximum input level: 3 dB (1,1V) Operating temperature: 0 - 55 Grad Celsius Background light range: 0 - 20000 Lux daylight und 0 - 12000 Lux electric light bulb Distance measurement: Active infrared reflection principle with daylight filter. Power: 24-48 V Phantom power Current consumption: ca. 3.7 mA

THE PB-07 HAS A FRONT FACING FLAT IR SENSOR AND MOUNTS VERTICAL ON MIC STANDS, (PLEASE BE SURE THAT THE PB-07 IS CORRECT FOR YOUR APPLICATION). IT IS IDEAL FOR TALK-BACK MICS, LECTERNS AND PODIUMS OR WHERE A GOOSENECK MICROPHONE IS USED, (ADAPTER MAY NOT FIT ALL MIC STANDS). GREAT FOR LEAD AND BACK-UP VOCALS, ACOUSTICAL INSTRUMENTS IN THIS VERTICAL CONFIGURATION WHERE YOU DO NOT WANT IT IN-BACK OF THE MIC SUCH AS A PB-05. The PB-07 is an automatic microphone gate and is based on the latest optical technology. It is equipped with an infrared sensor. On this model the sensor is on the flat side. Like the other models the PB-07 will switch on the microphone if someone is in front of the mic. The PB-07 is inserted between a microphone and the xlr mic cable or on a gooseneck stand. On the back of the unit is a 4mm threaded hole if you choose to use the supplied plastic clip and screw to mount on the PB-07. You will then clip it to the mic stand and the clip will disappear behind the stand. The PB-07 can be connected to a gooseneck microphone as well. The PB-07 senses if someone is in front of the microphone and will switch on the microphone. The microphone will be switched off automatically if no one is in front of it. The distance can be adjusted between 2 inches and 4 feet with the help of the trim pot and a small screwdriver. The performer will see a red status LED indicating that the microphone is switched on. The PB-07 is powered by 48 Volt phantom power from the mixing console. Condenser or Dynamic microphones can be used with the PB-07. Optogate products are by far the best and easiest solution for the most common problems in live audio applications. It eliminates unwanted background noise of other instruments, drums, and guitar amps into unused, open microphones on stage. The clarity of the mix and the dynamics are increased due to less phase cancellation between other open mics and stage background noise. It also reduces the possibility of Feedback from unused open mics! BENEFITS TURNS OFF YOUR MIC AUTOMATICALLY VIA INFRARED SIGNAL WHEN YOU ARE NOT USING IT! NO FALSE AUDIO TRIGGERS! SET THE DISTANCE AND PLAY! ELIMINATES UNWANTED SOUND FROM GOING TO YOUR MIX, MONITORS, AND P.A.! EXCELLENT FOR IN-EAR MONITORS AND LOUD STAGE ENVIRONMENTS! YOUR SOUND WILL BE BETTER THAN EVER BEFORE! YOUR AMPS WILL SOUND BETTER! YOUR EARS AND YOUR AUDIENCES WILL THANK YOU! ONE YEAR WARRANTY! YOU WILL NOT BE ABLE TO LIVE WITHOUT THESE GEMS ONCE YOU USE THEM! Specifications: Dimensions: 68mm length x 35mm height x 21mm width Connectors: XLR 3-pin (1 = gnd, 2 = plus, 3 = minus) Case construction: Aircraft-aluminum, black galvanized Distance Adjustable between 15 - 120 cm (depending of the type of reflection surface) Angle + / - 10 ° Switching noise: Immeasurable Frequency responses 0 Hz - 30kHz, - 3 dB at 150 Ohm mic impedance Signal noise ratio: -114 dB / -122 dB, Mic on / off, 150 Ohm Mic. Distortion < 0,05 % at 100mV Delay time mic on: < 0,2 Sec Delay time mic off: ca. 1 Sec Attenuation "mic on": 0 dB Attenuation "mic off": 42 dB at 150 Ohm mic impedance Usable mic types: All type of dynamic - and phantom powered mics. up to 10 mA current consumption Maximum input level: 3 dB (1,1V) Operating temperature: 0 - 55 Grad Celsius Background light range: 0 - 20000 Lux daylight und 0 - 12000 Lux electric light bulb Distance measurement: Active infrared reflection principle with 3 bit code Power: 24-48 V Phantom power (passes phantom power to the microphone) Current consumption: ca. 3.7 mA

Antenna diversity dual-channel wireless microphone system. This wireless microphone system has two kinds of receivers to choose based on your application background.PAW-266 is dual-channel receiver. As for the transmitter, you can equip PAH-172 handheld transmitter, or PBT-172 bodypack transmitter. The simple buttons on receiver make it easy to operate.The pilot tone prevents it from unexpected startup noise. The transmitter battery lasts up to eight hours without any interrupting. Compared with PAW-266,PAW-267 has an additional XLR audio output in the rear panel. In this way, we can provide multiply choices for you.As many as 4 channels can be used simultaneously within the same frequency band. It has attracted customers from both overseas and domestic markets because of cost-efficient,good-performance, and multi-channel features. PAW-266R • Built-in antenna design. • Digital LED display, touch button control. • Tone key squelch circuit to avoid interference. • Infrared data synchronization. PAH-172 • Cast metal structure stands high mechanical strength • Microphone head separate design for free choice and easy replacement • Infrared data synchronization PBT-172 • Low battery indication • 3 optional input gain adjustments • Infrared data synchronization Specifications: PAW-266R: Frequency Range 500 ~ 937.5MHz Oscillation Pattern PLL Working Range 60meters Modulation FM Pilot Tone 32.768KHz Optional Frequency 16 System Compatibility 4pcs Frequency Response 70Hz~ 15KHz (±3dB) Dynamic Range > 102dB T.H.D. < 0.8% S/N Ratio > 98dB（A） RF Sensitivity < -92dBm Image Rejection > 50dB Output Connectors 1/4-inch connector×1 Audio Output Level +6dBV Output Impedance 3KΩ Display LED luminescent tube Power Requirements 12V/0.5A DC power adaptor Operating Temperature Range 0-50 ℃ Dimensions 210(L)*116(W)*42(H)mm Weight 360g PAH-172: Input Impedance 5KΩ Output Power 20mW Harmonic Rejection > 50dB Display LED Luminescent Tube Power Requirements 1.5V*2(AA) Battery Life > 8H/1300mAH Dimensions 242(L)*(45)Φmm Weight 195g PBT-172: Gain Adjustment Range -10/0/10dB Input Impedance (Mic Output Power 20mW Harmonic Rejection > 50dB Display LED Luminescent Tube Power Requirements 1.5V*2(AA) Battery Life > 8H/1300mAH Dimensions 105(H)*63(L)*24(W)mm Weightt 80g

PAW-266 UHF PLL Dual Channel Receiver ?Built-in Antenna ?Digital display and light touch button with simple setups. ?Tone key squelch circuit to avoid interference ?Infrared data synchronization Frequency range is 655-679mhz - New Zealands Legal Range. PBT-172 Bodypack Transmitter ?Low battery indicator. ?Three optional input gain control adjustments. ?Infrared data synchronization.

PAW-266 UHF PLL Dual Channel Receiver Built-in Antenna Digital display and light touch button with simple setups. Tone key squelch circuit to avoid interference Infrared data synchronization Frequency range is 655-679mhz - New Zealands Legal Range. BT-172 Bodypack Transmitter Low battery indicator. Three optional input gain control adjustments. Infrared data synchronization.

Single channel true diversity wireless microphone system. The PAW-900 wireless microphone system consists of the PAW-900 receiver, the PAH-801 handheld transmitter or the PBT-801 bodypack transmitter. The system has 10 frequency groups with a total of 160 channels, and each frequency band has up to 16 channels that do not interfere with each other. The system has the functions of automatically searching for idle channels, infrared data synchronization and the like. The system offers a rock-solid performance,crystal clear sound quality,intuitive operation.An ideal choice for professional clubs,churches and other demanding venuse. PAW-900R • True diversity design ensures rock-solid performance • LCD shows all working status. • Up to 192 selectable frequencies • Automatic frequency selection • Adjustable gain level • 6-segment audio meters • 6-segment RF meters • 3-segment transmitter battery fuel gauges • Squelch adjustment • Infrared data synchronlzauon • Rugged metal chassis PAH-801 • Modularized microphone head design of handheld transmitter for free choice and easy replacement • LCD screen with orange backlight indicates frequency, battery life, RF, gain, mute and Lock status • 3 optional audio gain adjustments • 3 optional transmit power adjustments • Infrared data synchronization • Rock-solid metal body design and strong rubber end structure with good anti-drop performance PAT-801 • LCD screen with orange backlight indicates frequency, battery life, RF, gain,mute and Lock status • 3 optional audio gain adjustments • 3 optional transmit power adjustments • Infrared data synchronization Specifications: PAW-900R: Frequency Range 500 ~ 937.5MHz Working Range 100 meters Modulation FM Pilot Tone 32.768KHz Optional Frequency 192 System Compatibility 8pcs Frequency Response 50Hz ~ 15KHz (±3dB) Dynamic Range > 105dB T.H.D. < 0.5% S/N Ratio > 102dB(A) RF Sensitivity < -95dBm Image Rejection > 60dB Output Connectors (XLR×1)/(1/4-inch connector×1) Audio Output Level (XLR Impedance (XLR Display LCD×1 Power Requirements 12V/0.5A DC Operating Temperature Range 0-50 ℃ Dimensions 160(L)*212(W)*44(H)mm Weight 880g PAH-801: Gain Adjustment Range 0/3/6dB Input Impedance 5KΩ Output Power：2mW/10mW/30mW Spurious > 50dB Display LCD Power Requirements 1.5V*2(AA) Battery Life >8H/1300mAH Dimensions 250(L)*50(Φ)mm Weight 360g PBT-801: Gain Adjustment Range 0/3/6dB Input Impedance 5KΩ Output Power：2mW/10mW/30mW Harmonic Rejection > 50dB Display LCD Power Requirements 1.5V*2(AA) Battery Life >8H/1300mAH Dimensions 65(L)*165(H)*23(W)mm Weight 130g

Pasgao - PAW-900/PBT-801/PH20 - Wireless Mic System With Belt Pack and 1 x Lapel Mic. PAW-900 Single Channel True Diversity Wireless Microphone System PAW-900 system has 10 frequency groups, a total of 160 channels, and each frequency band up to 16 channels without disturbing each other. The system can search vacant channels automatical ly and has Infrared data synchronization function. PAW-900 TRUE DIVERSITY RECEIVER ? LCD shows clear wor king status. ? Digital volume control system light touch button with simple setup. ? True diversity receive technology ,tone key squelch circuit to avoid interference. ? Automatic frequency selection. ? Transmitter battery volume indication. ? I nfrared data synchronization product parameters Frequency Range?580-870MHz Max. Channel Quantity?192??????? Band Width?24MHz Receiver Sensitivity?102dB (A) Distortion?<1% Dynamic Range?>95dB Audio Socket?XLR+jack Audio Output Level?XLR?8dBu max Volume?12V DC/300mA ???? Weight?212x160x44mm PAH-801 HANDHELD TRANSMITTER ? metal body and rubber end structure with good function of antidrop LCD creen shows Group ?Channel?Battery volume?power? gain?mute status. ? RF power adjustment and audio gain control adjustments. ? Infrared data synchronization. product parameters Frequency Range?580-870MHz Max. Channel Quantity?192 Band Width?15MHz Max. Frequency Deviation?65KHZ Secondary wave suppression:> 50dBc Frequency Response?50~15000Hz Distortion?<1% Input Voltage Range:>8mW Audio Output Level?>300mV Use Time Of The Battery:>8 h Power:2x1.5 V(AA) Volume?47x245m Weight?195g PAH-801 HANDHELD TRANSMITTER ? LCD shows group? channels?battery volume?power?gain?mute and lock status. ? 3 optional input gain and power adjustment. ? Double input circuit design for microphone and guitar. ? nfrared data synchronization product parameters Frequency Range?655-679mhz Max. Channel Quantity?192 Band Width?15MHz Max. Frequency Deviation?>86KHz Secondary wave suppression:> 50dBc Frequency Response?50~15000Hz Distortion?<1% Input Voltage Range:>16mW Audio Output Level?>850mV Use Time Of The Battery:>8 h Power:2x1.5 V(AA) Volume?90x70x24mm Weight?90g

Pasgao - PAW-900/PBT-801/PL20 - Wireless Mic System With Belt Pack and 1 x Lapel Mic. PAW-900 Single Channel True Diversity Wireless Microphone System PAW-900 system has 10 frequency groups, a total of 160 channels, and each frequency band up to 16 channels without disturbing each other. The system can search vacant channels automatical ly and has Infrared data synchronization function. PAW-900 TRUE DIVERSITY RECEIVER ? LCD shows clear wor king status. ? Digital volume control system light touch button with simple setup. ? True diversity receive technology ,tone key squelch circuit to avoid interference. ? Automatic frequency selection. ? Transmitter battery volume indication. ? I nfrared data synchronization product parameters Frequency Range?580-870MHz Max. Channel Quantity?192??????? Band Width?24MHz Receiver Sensitivity?102dB (A) Distortion?<1% Dynamic Range?>95dB Audio Socket?XLR+jack Audio Output Level?XLR?8dBu max Volume?12V DC/300mA ???? Weight?212x160x44mm PAH-801 HANDHELD TRANSMITTER ? metal body and rubber end structure with good function of antidrop LCD creen shows Group ?Channel?Battery volume?power? gain?mute status. ? RF power adjustment and audio gain control adjustments. ? Infrared data synchronization. product parameters Frequency Range?580-870MHz Max. Channel Quantity?192 Band Width?15MHz Max. Frequency Deviation?65KHZ Secondary wave suppression:> 50dBc Frequency Response?50~15000Hz Distortion?<1% Input Voltage Range:>8mW Audio Output Level?>300mV Use Time Of The Battery:>8 h Power:2x1.5 V(AA) Volume?47x245m Weight?195g PAH-801 HANDHELD TRANSMITTER ? LCD shows group? channels?battery volume?power?gain?mute and lock status. ? 3 optional input gain and power adjustment. ? Double input circuit design for microphone and guitar. ? nfrared data synchronization product parameters Frequency Range?655-679mhz Max. Channel Quantity?192 Band Width?15MHz Max. Frequency Deviation?>86KHz Secondary wave suppression:> 50dBc Frequency Response?50~15000Hz Distortion?<1% Input Voltage Range:>16mW Audio Output Level?>850mV Use Time Of The Battery:>8 h Power:2x1.5 V(AA) Volume?90x70x24mm Weight?90g

Pasgao - PAW-1000/PBT-1000/PH20 - Wireless Mic System With Belt Pack and 1 x Handheld Mic. PAW-1000 UHF True Diversity Wireless Microphone System. Pasgao early generation diversity wireless system offers a rock-sol id performance, crystal clear sound quality, intuitive operation. An ideal choice for professional clubs, churches and other demanding venues. PAW-1000 UHF True Diversity Wireless Microphone System ? True diversity design ensures rock-sol id performance ? LCD shows al l working status ? Up to 160 selectable frequencies ? Automatic frequency selection ? Adjustable gain level ? 6-segment audio meters ? 6-segment RF meters ? 3-segment transmitter battery fuel gauges ? Squelch adjustment ? Infrared data synchronization ? Rugged metal chassis RF Carrier Frequency Range: 655-679mhz Working Range: 100M Modulation: FM Pilot Tone: / Max Channel Number: 192 System Compatibility: 8 channels Audio Frequency Range: 70HZ ~ 18KHz (?3db) Dynamic Range: > 103db System Distortion: THD< 0.7% S/N Ratio: > 100db(A? RF Sensitivity: < -95dbm for 30db S/N ratio Image Rejection: > 60db Output Connectors: (XLR?1) /(1/4-inch connector?1 ) Audio Output Level: (XLR: +8dbV) / (1/4-inch connector?1 (+6dbV) Output Impedance: (XLR:3K?)/(1/4-inch connector:3K?) Display: LCD Power Requirments: 12V/0.5A DC Operating Temperature Range: 0-50 ? Dimensions:160*212*44mm Weight:900g PBT-1000 Bodypack Transmitter ? LCD screen with light-green backlight indicates frequency, battery life, RF, gain level, mute and lock status ? 3 optional audio gain adjustments from -9dB up to 6dB ? 3 optional transmit power adjustments ? Double input circuit design for microphone and guitar ? Infrared data synchronization Gain Adjustment Range:-10/0/10db Input Impedance : (Mic:5K?)/(Guitar : 760K?) RF Power Output : 20mW Spurious Rejection:> 50db Pilot Tone:/ Display: LCD Power Requirments:1.5V?2(AA) Battery Life:> 8h/1300mAH Dimensions:89*65*24mm Weight:85g

Pasgao - PAW-1000/PBT-1000/PL20 - Wireless Mic System With Belt Pack and 1 x Lapel Mic PAW-1000 UHF True Diversity Wireless Microphone System. Pasgao early generation diversity wireless system offers a rock-sol id performance, crystal clear sound quality, intuitive operation. An ideal choice for professional clubs, churches and other demanding venues. PAW-1000 UHF True Diversity Wireless Microphone System ? True diversity design ensures rock-sol id performance ? LCD shows al l working status ? Up to 160 selectable frequencies ? Automatic frequency selection ? Adjustable gain level ? 6-segment audio meters ? 6-segment RF meters ? 3-segment transmitter battery fuel gauges ? Squelch adjustment ? Infrared data synchronization ? Rugged metal chassis RF Carrier Frequency Range: 655-679mhz Working Range: 100M Modulation: FM Pilot Tone: / Max Channel Number: 192 System Compatibility: 8 channels Audio Frequency Range: 70HZ ~ 18KHz (?3db) Dynamic Range: > 103db System Distortion: THD< 0.7% S/N Ratio: > 100db(A? RF Sensitivity: < -95dbm for 30db S/N ratio Image Rejection: > 60db Output Connectors: (XLR?1) /(1/4-inch connector?1 ) Audio Output Level: (XLR: +8dbV) / (1/4-inch connector?1 (+6dbV) Output Impedance: (XLR:3K?)/(1/4-inch connector:3K?) Display: LCD Power Requirments: 12V/0.5A DC Operating Temperature Range: 0-50 ? Dimensions:160*212*44mm Weight:900g PBT-1000 Bodypack Transmitter ? LCD screen with light-green backlight indicates frequency, battery life, RF, gain level, mute and lock status ? 3 optional audio gain adjustments from -9dB up to 6dB ? 3 optional transmit power adjustments ? Double input circuit design for microphone and guitar ? Infrared data synchronization Gain Adjustment Range:-10/0/10db Input Impedance : (Mic:5K?)/(Guitar : 760K?) RF Power Output : 20mW Spurious Rejection:> 50db Pilot Tone:/ Display: LCD Power Requirments:1.5V?2(AA) Battery Life:> 8h/1300mAH Dimensions:89*65*24mm Weight:85g

Compact High-definition Loudspeaker Either mobile live sound or permanent installation; the HPI110 is a lightweight high powered compact speaker system that has a number of key technical innovations to improve performance in real venue environments. Most venues potentially degrade the performance of standard sound systems regardless of the quality. The HPI110 can be installed as a single element or as part of an array of up to three elements. Everything about the HPI110 shows a design aimed at functionality in the real world. A Closer Look Functionality in the real world is what separates the HPI110 from the rest of the field. Have a bad sounding venue space? You need the HPI110. One consistent problem in reproducing intelligible voice in a venue is the degrading effect of wall and ceiling reflections. When a listener hears more sound from the reflected (reverberant) field than the primary sound system, loss of speech intelligibility results. This location in the room is known as "beyond the critical distance". The HPI system extends the "critical distance" by utilising a custom HF wave guide to direct the sound away from the walls and ceiling and into the listener area. The HPI110 mid-high asymmetrical wave guide provides 60 degrees horizontal dispersion at the base of the flare and 30 degrees at the top. Vertical dispersion above the box is limited to 15 degrees. A large format HF driver allows for a relatively low cross-over frequency and this means more control over a wider frequency area. The HPI110 is available in black (HPI110) or white (HPI110W) low sheen finish. Rigging & Accessories To get the best from the HPI110, the QR rigging system allows installation from a single box to three box arrays. With an array of three HPI110 speakers weighing in at 47kg, it's one of the most light-weight yet high powered systems in the world. This is particularly important if installation is required in a heritage building or an existing space with weight restrictions. The rigging system is progressive with its "top spine hanging bracket" system for single speaker systems, QR2 wall bracket, QR3/4 for flown installations and a U bracket that can be direct wall or truss mounted. Permanent or Portable The HPI110 is at home on the road. The lightweight ergonomic design makes it ideal for portable mobile audio. A pair of HPI110 boxes on a "T" piece can be located on a sub bass box with a conventional speaker pole for mobile full range sound. The high power handling and projection characteristics mean a two box array can push a lot of high SPL audio into a medium sized venue space. The long throw characteristics of the system can deliver a surprisingly coherent result at 48 metres, which is outstanding for such a physically small speaker system. In its most basic form, no system controller or complex system correction electronics is needed to get great sonic results from the HPI110. Just plug it on and play. With lightweight, high power and system scalability, the HPI110 is a truly versatile system. Putting Energy Where it's Needed Quest has refined the technical art of " asymmetrical audio projection" for the HPI110/111 loudspeakers ? Locating the sound where the audience is, and not to the walls and ceilings. The result is high intelligibility vocal imaging in reverberant venues. Whether an array or single box system, installation is simple and functional. The benefits of Quest asymmetrical projection ? Get higher vocal intelligibility The acoustic energy is directed to where you want it (the audience), and not to the reflective surfaces around the room. The nature of the asymmetrical projection is a more efficient use of the energy. Consonant sounds are not drowned out by reverberant energy. The sound coverage and vocal image is more uniform throughout the listening area and high frequency component is less likely to ?fall off? over distance. Power Me Up The HPI110 can take serious power by any standard. Quest Engineering recommends an amplifier capable of delivering 480-720W (nominal) to ensure full performance. The perfect solution are Quest's QA3004 or the new QX4500. Specifications Rec Amplifier 480 - 720W Nom. Impedance 8 ohm Frequency Response 70Hz - 18kHz Sensitivit 95.5 dB Max SPL 130dB Directivity Asymmetric +15/-45 vertical, 30/60 horizontal Woofer 10" Neodymium Woofer Tweeter 3" Neo Compression Driver (1.4" Exit) Connections & Wiring 2x Speakon 1+/- Dimensions 641.5 x 306 x 352mm Weight 16.4kg net

Compact High-definition Loudspeaker The HPI111 is a medium to high powered 90 degree dispersion compact speaker system designed to project voice and music throughout mid sized performance venues. It can be hung in small arrays or function as a stand alone speaker system in mobile PA production with or without sub bass enhancement. Contained within the discrete HPI111 appearance there are a number of key technical innovations to improve performance in real venue environments. A Closer Look The HPI111 system is comprised of a single 1" 90 degree asymmetrical wave guide and one 10" high powered woofer. The HF can be rotated to deliver optimum coverage in both vertical and horizontal installations. This makes the HPI111 very function in a wide variety of installation environments for both vertical and horizontal installation. The HPI111 is the perfect candidate for a myriad of applications including performing arts centres, houses of worship, corporate theatres and venue environments where mid level SPL coupled with high definition vocal reproduction is required. The HPI111 is available in black (HPI111) or white (HPI111W) low sheen finish. Rigging & Accessories To get the best from the HPI111 system, the multi-purpose light weight QR flying/installation system extends the range of installation options. The rigging system is progressive with its "single box top spine hanging bracket" system for single speaker systems, progressing to QR2 pan tilt wall bracket and QR3 two box hang. A QR Series U bracket is also available for single box horizontal installation. The QR3 hanging plate has multiple splay angle options to allow precise horizontal dispersion control. Thanks to the 90 degree dispersion of the of the HPI 111, the QR3 hanging bracket suspending two HPI111 boxes can cover a full 180 degrees. Perfect for Unfriendly Environments Bearing in mind most venue architecture is inclined to degrade the performance of standard sound systems. A common problem in many venues is reproducing intelligible voice. The degrading effect of wall and ceiling reflections causes loss of speech intelligibility. The location in a room where the reflections are approaching the level of the sound system is known as "the critical distance". The HPI111 system extends the "critical distance" by utilizing a custom HF wave guide. The design of the asymmetrical HF wave guide is such that it directs the sound away from the walls and ceiling. Sound is directed only where it is needed and away from the reflective surfaces of the venue. The result is exceptional vocal clarity and control over the dispersion area. Power Me Up The HPI111 can take serious power by any standard. Quest Engineering recommends an amplifier capable of delivering 480-720W (nominal) to ensure full performance. The perfect solution are Quest's QA3004, QA4004 or the new QX4500 Putting Energy Where it's Needed Quest has refined the technical art of " asymmetrical audio projection" for the HPI110/111 loudspeakers Locating the sound where the audience is, and not to the walls and ceilings. The result is high intelligibility vocal imaging in reverberant venues. Whether an array or single box system, installation is simple and functional. The benefits of Quest asymmetrical projection ? Get higher vocal intelligibility The acoustic energy is directed to where you want it (the audience), and not to the reflective surfaces around the room. The nature of the asymmetrical projection is a more efficient use of the energy. Consonant sounds are not drowned out by reverberant energy. The sound coverage and vocal image is more uniform throughout the listening area and high frequency component is less likely to "fall off" over distance. Specifications Rec Amplifier 480 - 720W Nom. Impedance 8 ohm Frequency Response 70Hz - 19kHz Sensitivity 1 watt @ 1 Meter 96 dB Max SPL 129dB Directivity Rotatable Asymmetric [90 - 45 degrees horizontal; 60 degrees vertical +15/-45deg] Woofer 10" Ferrite Woofer Tweeter 1" Ferrite Compression Driver Connections & Wiring 2x Speakon 1+/- Dimensions 641.5 x 306 x 352mm Weight 17.4kg net

Compact Passive Sub-Bass A small sub with a monster footprint. Fly it, hide it, hang it, as an ultra-compact passive sub bass for mobile audio or permanent installation, the HPI12S is a spectacular performer. Light in weight and high in LF output, the HPI12S is ideally suited to small medium sized venues that require authentic sub bass with a very low visual profile. A Closer Look The custom built 12" driver in the HPI12S is one of the very few loudspeakers with cone material made from Australian eucalyptus hardwood. This material has strength like a composite material but the warm sound of a cardboard cone; much loved by hi-fi enthusiasts. The benefit with the Quest driver is it can take serious punishment while still sounding like high end studio. A (small) Pro Package Internal rigging points allow the sub bass to be flown for permanent ceiling installation with four top mounter reinforced inserts and one extra on each side. A 35mm top hat can accommodate a standard speaker pole for mounting a satellite mid-high box. Power handling is high for such a small system with a power amplifier recommendation of 600W nominal. Compact & Clean The birch ply casing looks serious and is built to last the distance in a high performance environment. The angled connector panel is a thoughtful addition to act as a strain relief to the speaker connection and also make it possible to mount the box next to a wall if necessary. Power Me Up The HPI12S is a serious compact sub. Quest Engineering recommends an amplifier capable of delivering 500-600W (nominal) to ensure full performance. The perfect solution are Quest's QM1000P, QA2004 or the new QX4500 Specifications Rec Amplifier 480 - 720W Nom. Impedance 8 ohm Frequency Response 40Hz - 160Hz Sensitivity 92 dB Max SPL 128dB Woofer Custom Designed 12" Ferrite Connections & Wiring 2x Speakon 1+/- Dimensions 470 x 540 x 365mm Weight 20.5kg net

Compact & Ultra High Powered LF System The HPI18BP Bandpass 18" Subwoofer - how to get the most power and output from the smallest size. The AES 1,000W - Peak 4,000W single 18" bandpass subwoofer is a high output and relatively compact solution for extended range bass over long durations. The HPI18BP is suited as a stand-alone unit or as part of a high powered large venue system. The combination of high tech hand built Australian made driver and bandpass design means high efficiency, and very high output. The HPI18BP is ideally suited to electronic dance music in medium to large venues over long duty cycle durations. A Closer look With the 1W sensitivity of 103 dB at 40 Hz, the HPI18BP is remarkably efficient for such a high-powered subwoofer. The Australian designed and built 18" driver is the heart of the system. This unique driver is engineered to maintain stability throughout the entire power band, and delivers a uniform and stable frequency response at all power levels. A unique achievement for a high-powered subwoofer system. The result is that no corrective system processor is required to maintain consistent audio quality. The stability of the driver under high loads also means reliability and long life in demanding environments. Big Bass in a Large Permanent Installation This solidly built bandpass subwoofer is tuned low for electronic music, and for projecting that big live sound "kick" into larger venue spaces. Particularly when set up as a ground stack in a vertical array. Stacking the HPI18BP package benefits from low bass port coupling to deliver extended low frequency output in large venue spaces with the capacity to carry over a long distance. The compact size and high output makes this powerful low frequency system easier to conceal within modern venues. Design Model Two Chamber Bandpass Impedance 8 ohm Frequency response 30 Hz - 150 Hz +/- 4.5dB Sensitivity 103dB @1W, 1m Max. Average Calc. SPL 136 dB Woofer Single High Stability 18" Optional Fittings Speaker pole Connections NL4 in/thru Rec. Amplifier Power 2 - 4000 Watts RMS per channel Power Handling AES2-1984 AES: 1000 Watts* Continuous Program 2000 Watts Peak: 4000 Watts Fittings 1 x Speaker Pole Cup 35-37mm Dimensions (H x W x D) 595mm x 750mm x 825mm Net Weight 60Kg Shipping Weight 66Kg * AES power is determined according to AES2-1984 standard in free-air 40Hz-400Hz. A 2-hour test using pink noise with the specified dynamics and frequency content that matches the driver's frequency range. Maximum recommended program power is twice AES power providing the safe excursion limits are not exceeded.

Compact & High Powered LF System Possibly the smallest 18" speaker system on the market The HPI18LP band-pass 18" sub bass is a compact solution for permanent installation and live sound touring where a low profile sub bass is required. The HPI18LP is suited to mid to high sound pressure level bass and sub bass as a stand-alone unit, as part of a block or in combination with the 12" HPI212S sub bass, as a multi-way or parallel sub bass system. A Closer Look This solidly built band-pass sub bass is tuned low for electronic music or projecting live "kick" into larger venue spaces. Particularly when set up as a ground stack of two vertical boxes, the HPI18LP package benefits from coupling to deliver punchy extended low frequency to medium to larger venue spaces. The floorspace footprint the same as the 2 x 12" HPI212S sub and the systems can be operated together in a parallel or an electronically band-passed ground stack. The casings have interlocking feet giving the system a very "integrated" appearance. Mobile Sound or Permanent Installation The HPI18LP casing contains threaded inserts for flying in permanent installations and also a 35mm speaker pole top hat for mounting satellite boxes. The speakon connector panel is recessed to prevent accidental damage to the speaker cable connectors and acts as a cable strain relief for more reliability. Power Me Up The HPI18LP is a very powerful sub. Quest Engineering recommends an amplifier capable of delivering 800-1200W (nominal) to ensure full performance. The perfect solution are Quest's QA3004 or the new QX4500 Specifications Rec Amplifier 800-1200W Nom. Impedance 8 ohm Frequency Response 45Hz - 160Hz Sensitivity 96 dB Max SPL 129dB Woofer Custom Designed 18" Ferrite Connections & Wiring 2x Speakon 1+/- Dimensions 900 x 520 x 474mm Weight 40kg

Compact High-definition Loudspeaker The HPI212S is designed to deliver "big bass" to small and medium sized venues from a package that is easy to integrate within modern venue architecture. Stylish and practical the HPI212S also features a very smooth frequency response and the audio performance is more in the class of a much larger format system. A Closer Look The first obvious attributes of the HPI212S are build quality and thoughtful design. The speaker transducers are custom built 12" drivers and are one of the very few loudspeakers with cone material made from Australian eucalyptus hardwood. This material has strength like a composite material but the warm sound of a cardboard cone; much loved by hi-fi enthusiasts. The benefit with the Quest driver is it can take serious punishment while still sounding like high end studio. Power handling is high and the 2 x 12" front-loaded low profile sub-bass enclosure delivers enhanced sub bass and great percussive "punch" you would normally expect from a much larger format system. Under the Stage or in the Air Practical considerations for installers and live sound engineering were high on the designer's priority list. The sloping connector recess on the back of the casing makes it possible to install the casing against a wall and also protects the cable connectors from possible damage. The sloping panel also acts as a cable strain relief for added reliability and great for a tidy installation. Multiple reinforced M10 threaded inserts around the casing make it possible to fly the HPI212S for permanent installation. For mobile sound, a 35mm speaker pole adaptor is installed on the casing. Power Me Up The HPI212S is a serious sub. Quest Engineering recommends an amplifier capable of delivering 800-1200W (nominal) to ensure full performance. The perfect solution are Quest's QA2004, QA3004 or the new QX4500. Specifications Rec Amplifier 800-1200W Nom. Impedance 4 ohm Frequency Response 45Hz - 250Hz Sensitivity 93.5 dB Max SPL 131dB Woofer 2x Custom Designed 12" Ferrite Connections & Wiring 2x Speakon 1+/- Dimensions 900 x 520 x 395mm Weight 31kg net

High Power Dual 5" Loudspeaker Low profile and high power; theatre stage infill, delay system or high fidelity front of house. The HPI25 can fulfil a multiplicity of high end audio roles without compromise. The coverage pattern of the HPI25 can be classified as short to mid throw of a wide frequency range extending into the mid bass area. Voice intelligibility is high making the HPI25 suitable for venues where both spoken word and music program is required. Wall and ceiling mounting is possible with an optional "U" bracket and maintaining a low visual profile for discrete installation and minimum interference with sightlines. The sound signature of the HPI25 has been created in line with the entire range of Quest HPI systems making it the perfect companion to a larger HPI system. The HPI25 can function well without the aid of a dedicated system processor or extensive EQ correction. A full-range system can be created with the addition of an optional subwoofer (HPI12S). A Closer Look Specialised 5" ultra high powered drivers were developed for both the HPI5 and 25. The passive crossover system is a quasi 3-way to minimise midrange interference between resulting in a very smooth response in the vocal range. The HPI25 high frequency section comprises a proprietary 3/4 inch horn driver matched to a custom designed and rotatable high frequency horn. A mid bass rear port will give the system a little extra projection when the HPI25 is wall mounted. Best results are obtained if the system is high passed at 75-80 Hz but the high excursion drivers can function with full range program without problems. Rigging & Accessories The Quest UB-HPI25, UB1-OMA or UB2-OMA mounting kits make for an easy wall or ceiling installation. Driver Placement An added benefit with the HPI25 design is the capacity to relocate all the transducer components to suit the audio application. The HF horn can be moved to the centre and rotated to horizontal dispersion to suit a theatre infill or delay or alternatively the system can have the 5" drivers located together to increase directivity for added "throw". The horn can be located also at the top or the base of the cabinet for precise control of HF coverage. Designed to Work Hard The HPI25 is the culmination of three years of combined research and development by a design team determined to release a loudspeaker product that would be an uncontested class leader in power, performance and functionality. Like all things Quest, our vision was to create a product that embodied our core beliefs:, performance, practicality, value and reliability. The HPI25 is the culmination of these efforts. Power Me Up The HPI25 takes a lot of power for it's size. Quest Engineering recommends an amplifier capable of delivering 320-500W (nominal) to ensure full performance. The perfect solution are Quest's QM1000P, QA1004 or the QA2004 Specifications Rec Amplifier 240 - 360W Nom. Impedance 8 ohm Frequency Response 60Hz - 19kHz Sensitivity 92.5 dB Max SPL 118dB Directivity 100° x 60° [hor x ver] Woofer 5" Woofer Tweeter 1" Ferrite Compression Driver Connections & Wiring 2x Speakon 1+/- Dimensions 248 x 182 x 150mm Weight 9.3kg net

Visibly Working to be Invisible HPI5 - 5" High Output Loudspeaker At First Glance The HPI5 is a 5" ultra compact, passive professional sound reinforcement loudspeaker. Ideally suited to applications that require an ultra low profile solution. Its small footprint still manages to deliver medium to high output making the HPI5 ideally suited to short\medium throw environments.The HPI5 is optimized for high vocal range intelligibility as a small PA system, or as a fill\delay loudspeaker in larger indoor or outdoor systems. A full-range system can be created with the addition of an optional subwoofer (HPI12S). The HPI5 high frequency section comprises a proprietary 3/4 inch horn driver matched to a custom designed symmetrical wide dispersion constant-directivity high frequency horn. The sound signature of the HPI5 has been created in line with the entire range of Quest HPI systems making it the perfect companion to a larger system eliminating the need for extensive correction or a dedicated system processor. An Inside Look Good things definitely come in small packages and the HPI5 is no exception. The HPI5 is the culmination of three years of combined research and development by a design team determined to release a loudspeaker product that would be an uncontested class leader in power, performance and functionality. Like all things Quest, our vision was to create a product that embodied our core beliefs:, performance, practicality, value and reliability. The HPI5 is the culmination of these efforts in our smallest form factor to date. Intelligent Vocal, Musical Clarity The innovative wide dispersion symmetrical horn flare ensures exceptional throw of mid-high frequencies delivering naturally coherent vocal with projection far superior to any other speaker in its class. Musical reproduction is also impressive with the ultra high powered 5" woofer providing astonishing low end performance all the way down to 75Hz. High Power, Small Footprint Weighing in at less than 6.5kg and under 25cm, the HPI5 is easy to underestimate from the onset. Cleverly designed using the latest in high power compact driver technology, the HPI5's custom designed 5" high tech woofer and 1" coherent phase compression driver create the best in performance, size and balance. Rigging & Accessories With a choice of standard 3/8" microphone stand mounting point (on the box base) or rear mounted installation bracket, HPI5 has portable or permanent installation options. Standard speaker pole mounting is also possible with an aftermarket adaptor 3/8" threaded bolt x 12 mm. The Quest UB1-OMA or UB2-OMA mount kit makes for an easy wall or ceiling installation with full pan tilt. Clean Lines, Subtle Design The HPI5 is a loudspeaker, not a neon light. We wanted to create a subtle speaker that blends into the background without drawing undue attention to itself. With a clean black finish and low profile outlined branding along the side grill, the HPI5 blends into the background making for discrete installation. Wooden Body, Steel Faced The HPI5 chassis is made of the same heavy duty birch ply wood as our hard working and industry trusted Q-Motion systems. Finished with an extremely resilient black coating then fitted with a wrap-around heavy gauge protective steel grille, the HPI5 has been crafted to endure even the most demanding environments; and built to last. Compact Bass, Perfect Partner The HPI12S is an ultra compact single 12" sub that has been designed specifically for use with the HPI5. This 500W sub boasts a wide 42Hz - 250Hz frequency response delivering punchy LF to a HPI5 stereo or distributed system. Its internal rigging points have been designed to allow for unobtrusive ceiling installations and its 35mm top hat provides simple pole mounting for the HPI5. Power Me Up The QM1000P sub\satellite system from Quest is a convenient match for a paired HPI5 and HPI12S system. This left, right, sub channel amplifier provides a convenient solution for boutique installations where multiple amplifier/crossover combinations would be impractical. Specifications Yes, we know, everyone has them, but ours are different. Really? Yes, really. Every specification we report has been concluded by our extensive tests and is real-world accurate. There are no theoretical numbers or heavily contoured response graphs below; there is nothing to hide. Rec Amplifier 240 - 360W Nom. Impedance 16 ohm Frequency Response 75Hz - 19kHz Sensitivity 90.5 dB Max SPL 117dB Directivity 100° x 60° [hor x ver] Woofer 5" Woofer Tweeter 1" Ferrite Compression Driver Connections & Wiring 2x Speakon 1+/- Dimensions 248 x 182 x 150mm Weight 6.2kg net

Multi-purpose 2-way Passive Speaker The HPI8i is a compact full frequency range multi-purpose 2-way passive speaker system designed for live sound and permanent installation. Priority in the design is focused towards strong voice projection capability in medium to larger venue spaces and the HPI8i can be installed as a complementary element to the HPI111 and HPI110 installation. It is suited to front-of house sound for mid to long throw applications in both stand-alone applications, as part of a small array or distributed system and can be installed in vertical or horizontal configurations. A Closer Look A little box with big potential, the HPI8i has a number of features designed to increase performance and versatility for a professional sound installation environment. A key feature is the Quest designed asymmetrical high frequency wave guide. This feature helps lower the reverberant problems in many venue environments that degrade voice intelligibility, by focusing the sound to where it is needed and away from walls and ceilings. The result is a speaker that sounds much bigger than it appears. This is highly beneficial when sightlines and venue architectural requirement demand discrete low profile audio and high output. Asymmetrical Rotation The 90 degree wave-guide has a horizontal dispersion of 90 degrees at the base of the flare and 45 degrees at the top. Vertical dispersion is 15 degrees above horizontal and 45 degrees below. This effectively gives a wide HF energy dispersion in a close fill application and beams to the far field. Great for eliminating "hot spots" close to the speaker while still delivering great projection across a large floor area. The wave guide can be rotated 90 degrees allowing for horizontal box installation and a great benefit for venues with low ceilings that previously would have required delay speakers to achieve the coverage. Designed to Work Hard The HPI8i casing is birch ply and threaded inserts for installation in a number of options. The parallel speaker inputs are recessed to aid in a tidy installation and the casing also has a convenient carry handle and tough steel grill. Rigging options include the QR2 pan tilt wall bracket with an optional HPI8i installation spine or pole mount option through the 35mm pole hole. A U bracket is also available (WBHPI8i) for horizontal installation. Power Me Up The HPI8i can take serious power for it's size. Quest Engineering recommends an amplifier capable of delivering 320-500W (nominal) to ensure full performance. The perfect solution are Quest's QM1000P, QA1004, QA2004 or the new QX4500. Specifications Rec Amplifier 320 - 500W Nom. Impedance 8 ohm Frequency Response 75Hz - 19kHz Sensitivity 91.5 dB Max SPL 119dB Directivity Asymmetric +15/-45 Vertical, 45/90° Horizontal Woofer 8" High Powered Woofer Tweeter 1" Ferrite Compression Driver Connections & Wiring 2x Speakon 1+/- Dimensions 449 x 250 x 250mm Weight 8.9kg net

IP 67 weather Resistant Connector Cover for MX Series Cabinets. Color - Black

IP 67 weather Resistant Connector Cover for MX Series Cabinets. Color - White.

MX601 Monitors High-Fidelity Weatherproof Loudspeakers MX601- [6" x 1"- 80W] Not just another new speaker range, the MX Series is a system of audio building blocks that allows architects and venue designers to create a seamless full range audio presence, without compromising on aesthetics. The range is based around a 6" or 8", two-way, full range, wall or ceiling mountable loudspeaker and can be augmented with a very compact subwoofer system. Ceiling speaker versions are also available. The Ultra-compact MX601 and MX801 loudspeakers are very low profile and feature Hi-Fi quality audio reproduction, withstand direct all-weather environments, and include an installation friendly mounting system that is both elegant and practical. Revealing Details The objective for the Engineers of the MX Series Indoor/Outdoor line-up was to take the compact wall mount speaker to a new standard of performance. This meant consulting with a wide range of venue and public space designers to determine what is needed in a modern designed architectural space. To achieve the desired outcomes a completely new approach to the design was required, both technically for the audio performance, and in developing new manufacturing techniques. The result is a refined appearance that fits visually into any environment, reproduces Hi-Fi quality music and speech; and is easy to install. The MX Series are small in size considering the SPL output and frequency response they are capable of delivering. The housings are shaped and finished to reflect light in a way that helps them blend in visually with modern architectural styles. To achieve the very small physical size, a completely new type of woofer design was required. A conventional woofer would not fit in the intended space or deliver the bass response required in a sealed enclosure. Quest has designed a new type of driver and also incorporated a passive resonance circuit that simulates the action of a reflex port. This means an 8" driver can function at full capacity within a cabinet space that would normally be suited for a 6? driver. As a result of this, and the sealed enclosure design, the MX Series can be environmentally rated up to IP67. For use outdoor installation, addition of the optional IPMX1 kit for electrical connection weather protection is recommended. This IP rating opens up new avenues for system design and placement the opportunities are endless. The MX Series is available in black (MX601 / MX801) or white (MX601W / MX801W) finished in clear low sheen finish. Q-Mount UB1 Mounting System Wall mounting is made easy with the patented Q- Mount UB1 wall mounting system. The UB1 included with both the MX601 and MX801 is a pan/tilt system that is based around a 10 degree locking ball and socket joint. This allows for precise directivity control at uniform angles. The locking mechanism requires no tools and is high strength with no capacity to slip over time. The combination of the parallel terminal plug on the MX Series and the "aim and clamp" bracket design means that installation takes minimal time. Power Me Up Quest Engineering recommends the QM1000P, Q1K or QX-280 Series Amplifiers as a suitable partner for the MX601 / MX801. Specifications MX601 Max SPL * calculated 108 dB Sensitivity * 5-band average 91 dB Frequency Response 80Hz - 20kHz -2dB Impedance 16 ohm Transformer Taping 100v: 10w/20w/30w/40w 70v: 5w/10w/15w/20w Amplifier Power RMS 75W Peak: 150W Transducers HF: 25mm Titanium Dome Tweeter LF: 6" High Performance Polypropylene Woofer Directivity * H x V 150° x 120° -10dB Connections Captive Screw Terminal Plug (In/Thru) Environmental Ingress Rating Speaker Cabinet IP56 (IP67 when used with IPMX1 kit) Dimensions *H x W x D 303 x 184 x 175mm Net Weight 3.5 kg Shipping Weight 5.4 kg * Quest Engineering reserves the right to make changes in specifications, or products without prior notice. ** The figures shown above are "real world", usable specifications and are conservative as a result. Quest Engineering does not believe in portraying misleading or exaggerated specifications.